Mic placement is key, mic choice is also key.Capture as low a volume as possible. Digital also has another drawback: Infinite sensitivity. This is true if you consider that your audio can be as electrically powerful as the hardware can handle, but you won't necessarily want to hear it. In digital, they say you have virtually infinite headroom. Method 1 (experimental): When you have to use another method to mic, you have to use another method to record. It is similar to the Audition method, but slightly less targeted. Using automation, you could turn them on and off again, or apply them over a wider area so they are less noticeable. Then I'd write them down and use a single eq for each separate incident of baby cries, and one main eq for the AC unit. You'll have to use several EQ plugs, and target low and hi frequencies separately at first. Using a parametric EQ, you can find the partials where the sounds live in your mix and drop them. The best method is to slowly drop the audio volume in these areas until the crying is at its least intrusive, and it will be a less noticeable change in your overall mix. This can be damaging to your audio if you just erase it. The waveforms are measured as a complex wave, with on signals at varying amplitudes along multiple waves at the same instant.Īudition has a spectral editor that can help you find the crying audio wave area and blend it out, but you'll also be grabbing several other waveforms. The electrical component you are representing is also representing the audio signal. It's not like separating strands of hair or untangling a rope. They are in the vocal range, which is where your desired audio lives as well. Ultimately, you won't remove free radicals like babies crying completely.

When not possible, be prepared to do some audio cleaning Always record directly from the main mic if possibleĪ. In these instances there are a few things to remember.ġ. It sounds like you recorded a live event.

Remove background static microphone